摘要
《曲律》中的"人情"只限于闺情曲的创作,《闲情偶寄》中的"人情"更加泛化,突破了闺情曲的局限,将它扩大到了所有的传奇创作,更认为"人情"是传奇之所以为"奇"的手段之一。《闲情偶寄》中的"机趣"是对《曲律》"风神"说的继承,并将它从文字延续到舞台演出中。
The "human naturalness" in Wang Jide" s Qu Lv is limited to the creation of the boudoir feeling drama, while that in Li Yu' s Xian Qing Ou Ji has broken through this limitation and has been expanded to all the legendary dramas. The "human naturalness" has been considered by Li Yu as the means of creating the fantasy of these dramas. Besides, the concept called "smart trick" in Xian Qing Ou Ji is an inheritance to the theory of "styled spirit" in Qu Lv. The concept has been extended from theory to the stage practice.
出处
《南京师范大学文学院学报》
CSSCI
2016年第3期52-54,共3页
Journal of School of Chinese Language and Culture Nanjing Normal University