摘要
1980年代以来,诗人自觉营造戏剧情境,逐渐成为一种创作趋向。汉语新诗的戏剧情境是诗人以客观而间接、立体而形态化的戏剧处理方式呈现主体的情思意绪,包括人物活动的特定时空环境,影响人物的具体事件和人物之间的关系。研究此阶段诗人在以物代象、主体的分裂、诗与剧的跨界实验三个方面的努力,有助于发现诗人透过客观对象重新审视自我的方式,也丰富了汉语新诗的戏剧情境议题的内涵。
The dramatic situation in Chinese poetry has become a kind of new trend in poetry creation since 1980s. The dramatic situation in poetry mainly refers to a poet demonstrates his/her subjective emotion in an objective and dramatic way. It includes activities of the characters in specific time and space environ- ment, which affects the relationship between the character of specific events and characters. It shows in three aspects, namely, using objects to replace imagination, the splitting of subject, and the combination of poetry and drama. Research on these three aspects would be helpful in finding how a poet observe his/her self through objective things, and may enrich the connotation of the theory of the dramatic situation of Chinese New poetry.
出处
《南京师范大学文学院学报》
CSSCI
2016年第3期106-112,共7页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社科基金青年项目"1980年代以来汉语新诗的戏剧情境研究"(I5CZW044)
"上海高峰高原学科建设计划成果"(SH1510GFXK)
关键词
汉语新诗
戏剧情境
the Chinese new poetry
dramatic situation