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论阿卡狄亚的衰落

On the Decline of Acadia
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摘要 斯托帕德剧作《阿卡狄亚》采用不同时空交错、并置的结构,使19世纪初英国乡村庄园里的贵族生活和百年后人们对庄园历史的探究实现"穿越",表现工业化进程、西欧革命和战争对贵族社会的冲击,借以反思19世纪以来的现代化进程,同时展现当代人对昔日美好时光的怀念与追忆,从而使剧作与以往的社会批判和道德谴责之作判然有别,在思想与艺术上实现了对先贤时俊的超迈。 Through the structure of time-space interweaving and juxtaposition, Stoppard’s play Acadia combines the decadent noble life in an English countryside in the early 19 th century with the contemporary people’s research about it. The play reflects how the industrialization, European revolution and war shook the feudal aristocratic force and made the aristocrats far away from their "Acadia". The play also describes the contemporary people’s reminisces of the past peaceful and comfortable life, and rethinks profoundly about the process of modernization. Therefore, the play Acadia is different from the former works of social criticism and moral condemnation, and surpasses the other great dramatists’ plays in the achievement of thoughts and art.
作者 王娜
出处 《外国文学研究》 CSSCI 北大核心 2016年第4期59-66,共8页 Foreign Literature Studies
基金 教育部人文社会科学研究基金青年项目"品特戏剧中的身份问题研究"【项目批号:14YJC752020】的阶段性成果
关键词 斯托帕德 阿卡狄亚 衰落 反思现代化 Tom Stoppard Acadia decline reflection of modernization
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参考文献21

  • 1Bilson, Fred. "Tom Stoppard's Arcadia." British Writers Classics: Volume 1. Ed. Jay Parini. New York: Scribner, 2003.23-39.
  • 2安托瓦纳·贡巴尼翁:“现代性的悖论”,许钧译,《文化现代性精粹读本》229-249.
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  • 5Patrick, Jonny. "1809, 1812 and 1993: the Contexts of Arcadia." The English Review 20.1 (2009): 14-20.
  • 6Enoch Brater, "Playing for Time (and Playing with Time) in Tom Stoppard's Arcadia," Comparative Drama 39.2 (2005): 157-68.
  • 7Paul Edwards, "Science in Hapgood and Arcadia," The Cambridge Companion to Tom Stoppard, ed. Katherine E. Kelly (Cambridge: Cambridge UP, 2001) 171-84.
  • 8Lucy Melbourne, "'Plotting the Apple of Knowledge': Tom Stoppard's Arcadia as Iterated Theatrical Algorithm," Modern Drama 41.4 (1998): 557-72.
  • 9Daniel Jemigan, "Tom Stoppard and 'Postmodern Science': Normalizing Radical Epistemologies in Hapgood and Arcadia," Comparative Drama 37.1 (2003): 3-35.
  • 10Martin Meisel, "The Last Waltz: Tom Stoppard's Poetics of Science," Wordsworth Circle 38.1/2 (2007): 13-9.

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