摘要
"中国抒情传统"在台湾地区的出现受到了传统与外来两方面的影响,在中文系与外文系为核心的两大研究阵营对垒中发展和壮大,其中以高友工、王德威等人最具代表性,他们以"中国抒情传统"作为方法,对中国文学展开了较为新颖的阐释。"中国抒情传统"不仅作为方法,实乃海外华人文化身份认同的一个重要表征。
The appearance of＂Chinese lyrical tradition＂in Taiwan is influenced by traditional and foreign factors and it develops amid the opposing research departments of Chinese and foreign languages. Gao Yougong,Wang Dewei and others are the most representative,and they consider ＂Chinese lyric tradition ＂as a method,which opens up a novel interpretation in Chinese literature. ＂Chinese lyric tradition＂is not only as method,but also an important characterization of the cultural identity in overseas Chinese.
出处
《山西师大学报（社会科学版）》
2016年第4期69-75,共7页
Journal of Shanxi Normal University(Social Science Edition)
基金
华侨大学高层次人才科研启动费项目(14SKBS301)
关键词
抒情传统
批评方法
文化认同
lyrical tradition
critical method
cultural identity
