摘要
康德的不可知论认为"物自体"在时空之外,所谓的真理并不是完全可靠的,世界也并不是完全可以认知的。这种认知危机对克莱斯特的创作产生了巨大的影响,亦成为其创作的源泉之一和作品的特色。本文即着眼于《洪堡亲王》一剧,从主人公不可知的命运,亦虚亦实的梦来论述康德的不可知论对克莱斯特创作影响来剖析该剧的特点,从而得出克莱斯特对康德不可知论这一哲学论点的阐释是基于他对该理论的亲身体验。这种体验在他剧本中表现在:人无法完全认识外部世界,人的命运和人生发展都是不可预知的,无法掌控的,人无法按照自己事先设想的道路去生活。
According to Kant＇ s agnosticism, ＂things-in itself＂ is beyond time and space. The world can＇t be fully recognized and the truth is not completely reliable. These points of view have become one of the sources for his creative works and the unique style of his works and have a huge impact on his creative works as well. From the perspective of unknowable fate of the protagonist and virtual or real dreams, this thesis discusses the reflection of Kant＇ s agnosticism on Kleist＇ s Humboldt Prince and the features of this drama. It comes to a conclusion that Kleist＇ s interpretation of Kant ＇ s philosophy is based on hands-on experience that the outside world can＇ t be fully understood by human and human＇ s fate and life are unpredictable and beyond control. What＇ s more, human cannot live a life like what was pre-planned.
出处
《外国语文》
北大核心
2016年第4期33-37,共5页
Foreign Languages and Literature
