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意境在诗歌和散文中的生成与显现差异

On Differences of Artistic Conception's Creation and Demonstration in Poetry & Prose
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摘要 诗歌和散文作为抒情性文学的代表,虽然都注重意境的营造,但其生成与显现机制却大不同。诗歌因为文体形式和格律的限制,在建构意象时更强调小而精,突显作者创作时的主观性,也因此使得诗境具有了象外之象,味外之旨的特点。散文则因为自由灵活,限制较少,在选取意象时既可小也可大,既可细也可繁,使作品具有了相对更强的客观性,文境也自然呈现出明白晓畅,情真意挚的风格。 As the representatives of lyric literature, poetry and prose are different from each other in their demonstrating system though both of them stress the creation of artistic conception. Because of the limitation of writing style and rhythm, poetry pays more attention to conciseness when creating Artistic Conception. This highlights the writer's subjectivity; hence the Artistic Conception is marked by additional intentions. Prose is freer in choosing Artistic Conception because of its flexibility and few limitations, which makes the prose more objective, and then the whole context naturally holds a clear and sincere style.
作者 敬鹏林
出处 《黑河学院学报》 2016年第4期86-89,共4页 Journal of Heihe University
关键词 意境 诗歌 散文 artistic conception poetry prose
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