论鲁迅小说中的间离手法

On the Alienation Technique in Lu Xun's Novels

间离是《故事新编》的创作特色和主要艺术手段。然而纵观鲁迅小说作品,不难发现间离手法始终存在,并非是在《故事新编》中一蹴而就的,早在《呐喊》与《彷徨》中就有所表现。比起《故事新编》,《呐喊》与《彷徨》在间离情节的呈现以及间离方式的选择上略显不同,但间离效果异曲同工。间离手法不过是在理性主义关照之下的鲁迅独特的现实主义创作方法。

Alienation is the creative style and major artistic means of New Stories. However, throughout the novels of Lu Xun, it is not difficult to find that this technique is always there, which is not first appeared in New Stories, but can be found early in Lu＇ s two novels Cry-out and Hesitation. Compared with New Stories, Cry-out and Hesitation are a little different in the presentation of plots and the choice of estrangement techniques, but the effects are similar. Lu Xun＇ s estrangement technique is the unique realistic writing method under the influence of rationalism.