摘要
清代徽州文人曲家凌廷堪,其《论曲绝句三十二首》等戏曲论著着重讨论了戏曲渊源、作家作品、戏曲创作、戏曲语言、戏曲格律等诸多问题,全面展开戏曲理论的研究,反映出独特的戏曲文体思想,如推崇北曲杂剧的戏曲史观,坚持醇雅的正统标准,指出戏曲创作效仿的特殊性等,构架起较为完整的戏曲理论体系,值得古典戏曲理论研究者予以重视和重审。
Huizhou scholar in the Qing Dynasty drama theorist Ling Tingkan, whose "The theory of rhyme 32" and other operas article focuses on drama origin, the writer works, drama, drama language, and drama with many problems, in depth study of the drama theory in full swing, reflect the thought of drama style unique, such as respected northern Zaju opera histo- ry, adhere to the elegance of orthodox standards, is the framework of relatively complete opera theory system, is worth paying attention to review and theory of classical drama research.
出处
《齐鲁学刊》
CSSCI
北大核心
2016年第4期123-127,共5页
Qilu Journal
关键词
清代
徽州
凌廷堪
戏曲思想
the Qing Dynasty
Huizhou
Ling Tingkan
drama ideas