摘要
高科技引发了视觉文化时代,促使人们在认识方式、思维方式及意识形态等方面发生重大的改变。运用雷蒙·威廉斯的大众文化理论解释汉画像石的大众文化属性,通过对五行思想和孝悌等论述,阐述汉代的儒家礼制和宇宙观念以汉画像石为载体在主流文化和民间文化之间被发展和演绎,呈现出疏离和弥合的状态。
High technology brings the age of visual culture, leading to people's great change in ways of recognition, thinking, and ideology. This paper used Raymond?Williams' mass culture theory to interpret the mass culture property of portrait stones in the Han Dynasty. Based on discussion of Five Element and filial piety thoughts, this paper argued how the Confucian rite culture and Universe Concept in Han Dynasty were developed and spread against the mainstream culture and folk culture through the medium of portrait stones.
出处
《淮南师范学院学报》
2016年第3期85-89,共5页
Journal of Huainan Normal University
基金
安徽省哲学社会科学规划项目"安徽省汉代画像石研究"(AHSKF09-10D120)
关键词
大众文化
融合性
世俗性
民族性
mass culture
integration
secular
nationality