摘要
日本画家竹久梦二的绘画是传统东方绘画艺术与现代审美趣味完美结合的范例。他的简笔诗画的渊源可追溯到中国传统的文人画和以俳句入画而形成的日本"俳画",承袭了"俳画"中所谓超越世俗气的"非人情"的审美趣味,将绘画题材广泛化、通俗化、日常化,而所谓"梦二式美人"更是体现了日本传统的"意气"之美。
The drawing of Japanese drawer Takehisa Yumeji ,is a perfect integration of traditional oriental drawing art and modern aesthetic interest .The origin of his simple poetic drawing can be traced back to Chinese traditional scholarly drawing as well as Japanese Haiku drawing formed from Haiku poems ,which inherited the aesthetic interest of the Haiku drawing ,transcending the non‐worldly sensibility ,and making the subjects broad ,popular and daily .His so‐called “Yumeji beau‐ties”all the more showed traditional Japanese “dignified” beauty .
出处
《广西师范学院学报(哲学社会科学版)》
2016年第5期23-27,共5页
Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition
关键词
东方绘画
竹久梦二
简笔诗画
“俳画”
“非人情”
“意气”之美
Oriental Drawing
Takehisa Yumeji
Simple Poetic Drawing
“Haiku Drawing”
“Non-Worldly Sensibility”
“Dignified”Beauty