摘要
目的研究湘西苗族服饰文化内蕴及在现代服饰中的"穿"承设计。方法引入苗族服饰的纹样、款式、工艺特征以及苗族服饰元素的"穿"承设计技法,对"穿"承设计技法的应用进行理论分析。结论在"穿"承设计技法中关注消费者的审美需求,如何提高传统服饰的服用舒适度,建立湘西苗族服饰自主品牌;分析刺绣、扎染、蜡染、剪纸等传统服饰工艺瑰宝,追寻本土设计师的设计理念,提高人们对苗族服饰的审美情趣,生产符合都市人审美需求的现代服饰,使越来越多的人愿意继续穿着和欣赏苗族服饰,从而使湘西苗族服饰代代"穿"承。
It aims to study "wear" cultural connotation of Xiangxi Miao costume and "wear" design in the modern clothing. It introduces the Miao costumes pattern, style, process characteristics and Miao clothing elements in "wear" design techniques, theoretically analyzes the application of "wear" design techniques. In the "wear" design techniques focus on the aesthetic needs of consumers, how to improve traditional clothes wearing comfort level, set up xiangxi Miao clothing own brand; analyze embroidery, tie-dye, batik, paper-cuttings etc traditional clothing craft treasures, pursue local designers design concept, improve people's aesthetic sentiment on the Miao nationality costumes, produce the modern clothing accord with the urbanite aesthetic needs, make more and more people are willing to continue to wear and appreciate the Miao nationality clothing, thus make the xiangxi Miao costumes handed down from generation to generation.
出处
《包装工程》
CAS
CSCD
北大核心
2016年第18期185-189,共5页
Packaging Engineering
基金
湖南省哲学社会科学规划课题<湘西少数民族服饰的文化内蕴与传承发展研究>(14YBA023)
湖南省教育厅科研重点项目<基于传统工艺与现代科技融合的湖南服饰品牌创建研究>--以湘西为例(15A017)
关键词
苗族服饰
文化内蕴
传统纹样
“穿”承技法
Miao costume
cultural connotations
traditional patterns
"wear" technique