摘要
童年经验对"六十年代出生作家"人物塑造的影响主要体现在:"六十年代出生作家"常常以自己童年接触过的人作为小说中的人物原型,他们也常会不自觉地把自己童年时期建构起来的审美倾向和价值观念投射到小说人物的身上。由于他们成长于"文革"时期,他们小说中的很多人物都被打上了"文革"的烙印。他们小说中的少儿形象多是孤独、空虚和迷茫的,且大都拥有浓厚的暴力情结;他们笔下的"右派"及"知青"则都拥有很多的缺点,平庸且世俗;他们小说中的很多"父亲"形象,也不再高大神圣,要么懦弱猥琐、要么残暴变态,和子女的关系都很紧张。不过由于"六十年代出生作家"人数众多,其童年经验世界也存在着种种差异,若想更加全面地把握他们笔下的人物形象,我们还应分析和考察"六十年代出生作家"童年经验世界中的地域、家庭等多方面的因素。
The childhood influence of"Chinese writers who were born in 1960s"on their characterization is: they often make the people appear in their childhood as the prototype of the characters in the novel,and these writers often put their aesthetic tendencies and values which they built in childhood into the characters of the novel. Because they grew up in the "Cultural Revolution"period,many characters in their novels marked the era. In their novels,"children"are lonely,empty and confused,and most children have "violence complex"; "Right-wing"and "Educated youth"have many flaws,normal and worldly; "father"becomes cowardly or cruel,and unhallowed. But we should notice that not all the factors in childhood experience affect writers deeply. We should make a comprehensive and detailed analysis of the writer's childhood experience in order to fully understand literary characters in "Chinese writers who were born in1960s".
出处
《重庆邮电大学学报(社会科学版)》
北大核心
2016年第5期131-136,共6页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
国家社会科学基金项目:中国文学都市审美理论与实践--海派文学的都市叙事方式研究(11FZW021)
关键词
童年经验
“六十年代出生作家”
小说创作
人物形象
childhood experience
"Chinese Writers Who Were Born in 1960s"
character
novel writing