清代昆曲工尺谱中的《牡丹亭》

A Study of the “the Peony Pavilion”in the Music Score of Kun Opera during the Qing Dynasty

汤显祖的《牡丹亭》传奇是昆曲舞台上久演不衰的经典之作。《牡丹亭》在清代昆曲工尺谱中的收录折数与具体出目,动态地反映了该剧在不同时期的演出频度、热度与戏曲史地位。各曲谱对《牡丹亭》原作的文字删减与改动,既折射出昆曲的场上特点,又体现了大众的审美需求。工尺谱中板眼与口法标记的不断密集,则是昆曲唱腔在传承过程中逐渐细化、规范化的具体表现。清代昆曲工尺谱中《牡丹亭》的文字删改与符号发展,均以文人传奇的世俗化为方向,最终服务于舞台,适应于普通观众。

The Peony Pavilion written by Tang Xianzu, has always been a work of excellence on the stage of Kunqu Opera. In the preservation and inheritance of Kunqu opera, The Peony Pavilion has undergone continuous modification and creation in both literature and art. During the Qing Dynasty, the music score of The Peony Pavilion has been modified more and moer in long - term Kunqu opera performances. In this paper, the author researches to study the change process of The Peony Pavilion in the music score of Kunqu opera.