苍白的祭歌,无力的控诉——评电影《百鸟朝凤》的批判性被引量：1

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摘要电影《百鸟朝凤》通过唢呐匠人的人生遭际以及唢呐艺术的成败与兴衰,揭示了民俗文化在现代化进程中的失势和没落之路。在哀悼民俗文化衰败的同时,从三个方面描述了现代化给传统社会以及民俗文化所带来的巨大冲击,进而批判了资本逻辑的统治。在社会现代化的巨大变革中经济价值成为衡量一切东西的根本标准,曾在乡村社会中占据统治性地位的传统礼仪和伦理秩序在现代化的冲击之下失去了此前的规范作用和崇高地位,随着"礼崩"而来的必然是"乐坏"。

作者孟凡生

机构地区华东师范大学中文系

出处《艺苑》 2016年第4期38-40,共3页 FORUM OF ARTS

关键词《百鸟朝凤》现代化批判性民俗文化

分类号 J90 [艺术—电影电视艺术]

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参考文献2

1戴维·弗里斯比.现代性的碎片[M].卢晖临,周怡,李林艳,译.北京:商务印书馆,2003.
2刘瑜.经济发展会带来民主化吗?——现代化理论的兴起、衰落与复兴[J].中国人民大学学报,2011,25(4):16-25. 被引量：13

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