摘要
通过对《牡丹亭》的文本细读,重新审视春香这一形象在杜丽娘性萌动与觉醒这一青春转折过程中的重要作用。通过梳理明清和近代《牡丹亭》改编和演出中春香形象的变化,深入分析和研究了曲师和伶工对春香形象认识存在的习惯性误区,旨在推动春香形象研究的原始回归。
Through a close study of the Peony Pavilion, the author of this paper reevaluates the important role that Chunxiang played in Du Liniang' s initial sex awareness and arousal in her adolescent turning process. The paper is intended to promote the regression to the study of Chunxiang' s image by sorting out the changes of Chunxiang' s images in adaptations and performances of the Peony Pavilion in the Ming and Qing dynasties and modern times as well as by analyzing the musicians and performers' habitual misunderstandings of Chunxiang' s images.
出处
《东华理工大学学报(社会科学版)》
2016年第3期238-244,共7页
Journal of East China University of Technology(Social Science)
基金
2014年度教育部人文社科研究规划基金项目<元明清曲谱与南戏传奇关系研究>(14YJA751008)的阶段性成果
关键词
汤显祖
《牡丹亭》
春香
性觉醒
冯梦龙
Tang Xianzu
the Peony Pavilion
Chunxiang
sex arousal
Feng Menglong