摘要
从图像心里学视角,对二十世纪初期意大利绘画及雕塑大师莫迪里阿尼的代表作品进行观察,认为莫迪里阿尼的作品因拒绝和摆脱了传统肖像画中那些习惯的"所见即所得"的束缚,对人性本能和潜意识的勇敢正视,以及对图像中各构成因素的深刻理解和巧妙应用,致使其作品在不断刺激和吸引观者注意力的同时,使观赏者的精神世界经过激烈的震荡和摇摆,最终在精神的天平上获得了平衡。
From the perspective of psychopictoris, this paper observes the artworks of Modigliani who was a painter and sculptor in early 20th century, and comes to the conclusion that appreciator' s soul have got an equilibrium on the spiritual balance after they were shocked by his works, because he had refused and got rid of the fetter by the traditional thought that is ' what you see is what you get'. He faced up to the instinct of humanity and the subcon-scious, as well as deeply comprehended and skillfully used about the inscape of the image.
出处
《榆林学院学报》
2016年第5期92-95,共4页
Journal of Yulin University