摘要
运用平行比较与文化比较的研究方法,从20世纪20年代的时代背景入手,通过对中西方女装在形态构成、功能意识及着装观念方面的研究,认为20世纪20年代既是中国与西方服饰的交汇点,也是传统服饰与现代服饰的分水岭。从而得出结论:20世纪20年代西方女装实现现代化,中国女装则开始向现代化起步,从而明确20世纪20年代是现代女装的源与流。
Starting from the background of 1920s era, this article uses parallel and cross-culture comparative methods, Through the research on liberation of women's bodies,the transition from "heavy-type" wear to " light-type" wear and the exclusion of the social difference of women's wear, we got the conclusion that in 1920s, the western women's wear realized the modernization; meanwhile, Chinese women's wear started its modernization.
出处
《服装学报》
CAS
2016年第3期327-332,共6页
Journal of Clothing Research
基金
中国传媒大学优秀中青年教师工程项目(041005)