从创作主体的角度看《红高粱》跨媒介传播

On Cross-media Communication of Red Sorghum from the Perspective of Creation Subject

从1986年小说发表,到1988年电影上映,再到2014年电视剧热播,《红高粱》业已成为中国特有的文化图腾与美学景观。在一次次成功的跨媒介传播中,《红高粱》的创作主体们无不在其特定的文化符号中注入自己独有的体验和思考,这也是其始终能够准确把握时代脉搏的关键所在。本文将从创作主体的角度探讨从小说到电影、从小说到电视剧的异同。

Since the the novel was published in 1986,the movie was released in 1988 and the TV serials were aired in 2014, Red Sorghum has become a cultural totem and aesthetics spectacle. In the process of successful cross-media communications, the creation subjects of Red Sorghum instill their thoughts and experiences into the specific cultural symbols. This is how they can precisely grasp the pulse of the time. This paper intends to probe into the differences and similarities of novels, movies and TV serials of Red Sorghum from the perspective of creation subjects.