论两汉诗学文献中诗乐材料的辑录标准

Discussion on Standards of Collecting Poetry Music Materials in Poetic Literature of Han Dynasty

中国古代诗论与乐论存在密切联系,因此在辑录诗学文献时应考虑辑入乐论材料,但由于二者也存在明显区别,因此在辑录时应采取选录的方式。本文综合中国古代诗乐关系的发展过程及两汉乐论材料的特征,提出两汉诗乐材料辑录标准总体来说是"与诗相涉",具体呈现为出现诗歌之名、诗歌之辞,或出现"诗""歌""乐"三个概念,或出现琴曲、舞曲之名的乐论材料应被辑入两汉诗学文献,而仅出现"声""音"这两个概念,或专论音律、乐器的乐论材料不应被辑入两汉诗学文献。最后,根据此类材料的内涵特征,将其命名为"两汉诗乐材料"。

There is a close relationship between the ancient Chinese poetry theory and music theory, so music theory materialshould be taken into account in compiling the poetic literature series, only with selection compilation of music theory materialdue to significant differences between the two. Thispaper discusses the history of the rela- tionship between poetry and music in ancient China and thecharacteristics of those materials of poetry music in Han dynasty, then proposesthat the collection should be＂ poeminvolved＂ ： the music materials with the name of poem, the words of poem, the concepts of ＂poem lyrics music＂ , the name of piano music or dancing music should all be collected to the poetics of Han dynasty, and the music materials only with the concepts of ＂sound＂ ＂voice＂, or specialized on rhyming or musical instrument should not be collected. In conclusion, according to its inner fea- tures, this paper names these material ＂Han DynastiesJpoetic music material＂ .