“布鲁姆斯伯里”元素与伍尔夫的“双性同体”

"Bloomsbury" Factor and Virginia Woolf's "Androgyny"

作为20世纪英国著名的精英知识分子群落,"布鲁姆斯伯里文化圈"可谓率先践行"双性同体"生活方式的所在。"布鲁姆斯伯里人"的精神领袖罗杰·弗莱注重情感与智性融合的美学理念与实践,在伍尔夫日后的文学观念、创作实践乃至个人生活中均打下了鲜明印记。正是在"布鲁姆斯伯里文化圈"充满浓厚的双性同体氛围、追求情感与智性互补的世界中,伍尔夫不仅通过小说虚构了"双性同体"的奇妙景观,还将"双性同体"发展为女性艺术家锻造完美的人格理想的美学标志。

As a famous elite intellectual community in the 20th century of Great Britain, the Bloomsbury Circle took the lead in putting the theory of androgyny as a lifestyle into practice. Roger Fry, the spiritual leader of the ＂Bloomsburies,＂ paid special attention to the syncretic values of love and aesthetic concept and its practice, integrating both sensibility and intellect. And his claim then had a dis- tinct influence on the literary ideas and writings of Woolf, as it was reflected through her life. It is under such deep effect of Blooms- bury Group, who lived in an androgyny atmosphere in pursuit of a balance between sensibility and intellect, that Woolfnot only created the fantastic androgyny images in her fictions but also developed this concept that have been accepted by women artists as the aesthetic symbol in their depiction of women＇s ideal personality.