摘要
作为一种独特的文学文本,戏剧文本兼有日常口语和书面语言的双重特点。通过对比《卖花女》林语堂译文和杨宪益译文中被动语态的翻译策略,发现戏剧中被动语态的翻译策略的选择与英汉被动语态的句法、语义差异以及文本类型等因素有关。戏剧文本被动语态的翻译策略选择影响着文本的流畅性与可读性,甚至影响戏剧的舞台化展现。
As a special kind of literary text the text of drama is characterized by the colloquial and formal linguistic features. By comparing the translation strategies adopted by Lin Yutang and Yang Xianyi in their respective translation of passive voice in George Bernard Shaw＇ s Pygmalion, it can be found that the translation strategies which translators choose to translate passive voice are related to the syntactic and semantic differences in passive voice between Chinese and English, and the types of texts. The translation strategies used in translating passive voice in drama will influence the readability and fluency of the drama, and will have effect on the stage performance of the drama.
出处
《安徽理工大学学报（社会科学版）》
2016年第4期94-97,共4页
Journal of Anhui University of Science and Technology:Social Science
关键词
被动语态
戏剧
翻译
句法
passive voice
drama
translation
syntax
