摘要
在互联网和新媒介的辐射下,微博、微信、微电影、微商等"无‘微’不至"的网络新秀蹿红,带动了以短小精干为特征的"微时代"的兴起。美学和日常生活的距离逐渐拉近,相当大的群体在用审美化的方式诠释着自己的日常生活。伴随着消费主义浪潮,微时代的文艺褪去严肃的一面,世俗趣味越来越浓,这也为文艺作为消费娱乐的产物奠定了更加坚实的基础。但是抵制其带来的庸俗化和被消费的症候,则是毋庸置疑的。
Under the radiation of in the Internet and new media, weibo, WeChat, micro film, wechat business network etc,without "micro" not rookie, It led the rise of the "micro age" which is characterized by short and dapper. Aesthetics and daily life gradually are close to the distance, quite a big group use the aesthetic way to annotate his own daily life.With the consumerism, the era of literary shed serious side, secular interest are more and more strong, it also laid a more solid foundation as a product of the consumer entertainment. But It is beyond doubt that against his symptoms of stodgy and consumed.
出处
《红河学院学报》
2016年第5期91-93,共3页
Journal of Honghe University
基金
山西省忻州师范学院青年基金项目:大众文化背景下的文学发展趋向研究(QN201512)
关键词
微时代
日常生活审美化
文艺症候
Micro Age
The aestheticization of everyday life
Symptoms of literature and art