摘要
安徽太湖籍状元李振钧在金殿对策时察微虑远,展经世之才,诗集《味灯听叶庐诗草》却多伤于场屋的幽情耽绪之作,几无反映社会现实之篇。从剖析李振钧创作中"创作主体"差异这一现象出发,可明显见出举业之家族、文化地理意义对主体创作的规定性及由此而来的个体焦虑。
Li Zhenjun, No.one scholar in the imperial exam,was a talent with a great ability to rule the country. The collection of his poems are mainly the works with exquisite emotions, few of which reflect the social reality. With the analysis of the difference of creation subjects in Li Zhenjun' s works, the famliy of the imperial exams and cul- ture geograhical Significance play a role in prescription of subject creation, which brings the individual anxiety.
出处
《池州学院学报》
2016年第4期1-6,共6页
Journal of Chizhou University
关键词
李振钧
举业
创作主体
Li Zhenjun
Imperial Exam
Creation Subject