摘要
随着科学技术的发展,数字技术与设计艺术的结合延伸,文化继承与发展的可视化设计逐渐融入现代生活。可视化文化现象的形成,文化符号的传播方式也由文本传播开始转向视觉传播,以至于带动传统语言主因型向图像主因型的发展,给受众展示了新型的文化接受模式。从设计的范畴思考,文化可视化的设计涉及多个方面,动画、电影、网页、标志符号等。本文将从设计的角度出发,以《功夫熊猫》系列动画电影为例,对文化可视化设计发展的理论成果进行研究,对文化可视化的现状、面临问题进行了分析,并对文化可视化设计的设计呈现与阻碍进行了详细的分析与总结。
With the development of science and technology, combined with digital technology and artistic design, visual design and development of cultural heritage gradual integrated into modern life. Visual culture phenomenon is formed, way of cultural symbols＇ transmission are also changed from the text to visual communication, as a result, leading the traditional language change from language-dominated to image-dominated, presenting a new mode of cultural acceptance. Considering the scope of the design, visual design culture involves many aspects such as animation, movies, web pages, etc. glyph. This article starts from the design perspective, taking the ＂Kung Fu Panda＂ series animated films as an example, studying the status quo and current problem of visual culture and theoretical results, summarizing the presentation and obstacles of visual design.
出处
《设计》
2016年第19期130-131,共2页
Design
