幻想、公共领域与历史反思中的“谜电影”——亚历山大·克鲁格的电影美学被引量：1

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摘要亚历山大·克鲁格是德国杰出的电影导演,也是"奥伯豪森宣言"的发言人。他的电影以大胆而出乎意料的拼贴画风格,纪实性的拍摄方式和引人联想的叙事方式,开创出"谜"一样的电影。他的电影作品深受法兰克福学派影响,影片主题多为政治问题、纳粹历史反思以及民族身份认同等。

作者王佳怡

机构地区东北师范大学文艺学

出处《电影艺术》 CSSCI 北大核心 2016年第5期127-134,共8页 Film Art

关键词克鲁格历史反思法兰克福学派爱森斯坦拍摄方式政治问题民族身份施隆多夫文德斯《十月》

参考文献11

1Stuart Liebman and Alexander Kluge. On New German Cinema, Art, Enlightenment, and the Public Sphere: An Interview with Alexander Kluge. October,Vol. 46,(Autumn, 1988),23-59.
2[苏联]C·M爱森斯坦.富澜译.蒙太奇论.北京:中国电影出版社,2003.278,.
3Michelle Langford. Alexander Kluge. Great Director, lssue 27,2003.06.25 http://sensesofcinema.com/2003/great-directors/ kluge/.
4Tara Forrest. Alexander Kluge: Raw Materials for the Imagination. On Film and the Public Sphere. Amsterdam University Press,2012.36,38.
5Walter Benjamm, On Some Motifs in Baudelaire" and "The Image of Proust" in Illuminations, London, Fontana Press,1992.
6Gilles Deleuze. Cinema 2:TheTime-lmage. Minneapolis. University of Minnesota Press,1989.245.
7Alexander Kluge. On Film and the Public Sphere." The Significance of Phantasy " . New German Critique.1981-1982 Fall/Winter.216,206.
8Wilson David. Yesterday Girl. Sight and Sound.Spring1967.95.
9Stuart Liebman. Why Kluge ? Alexander Kluge: Theoretical Writings, Stories, and an Interview. October, Vol. 46 (Autumn1988). 18.
10Miriam Hansen. Alexander Kluge. Cinema and the Public Sphere: The Construction Site of Counter- History. Discourse. Winter 1981/82.57-58.

电影艺术

2016年第5期

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