摘要
"文化生产"是当前文化领域中突出的现实问题,更是人文社会科学中一个前沿的理论命题。本文对文化生产作为关键词进行了梳理,涉及其历史源流、突出特征、审美建构与实践方式。马克思关于生产的论述开启了文化生产的理论起点,法兰克福学派、威廉斯、伊格尔顿、布迪厄等人对文化、文学生产、文化生产场域的解释逐步确立了文化生产的学理依据。文化生产的突出特点是市场化的运作机制,其中经济资本、文化资本的积累与分布会塑造文化生产的面貌。文化生产的审美建构在于通过产品生产、产品价值生产、产品传播等生产因素对商业逻辑和艺术逻辑进行和解。
Cultural production is a practical matter in the contemporary cultural field as well as an important theoretical one in Humanities and Social Science. This paper interprets it as a keyword, and refers to its history, main characteristics, aesthetic construction and practice. The theory of Production expounded by Marx is the starting point of the theory of Cultural Production, and Culture, Literary Production, and Cultural Production Field discussed by the Frankfurt School, Raymond Williams, Terry Eagleton, and Pierre Bourdieu establish the academic basis of the theory of Cultural Production. The prominent characteristic of cultural production is the market operational mechanism, and the economic capital and cultural capital in the market shape the face of cultural production. The aesthetic construction of cultural production need to combine the commercial logic and artistic logic in the process of producing product, producing the value of the product and disseminating the product.
出处
《外国文学》
CSSCI
北大核心
2016年第5期67-76,共10页
Foreign Literature
基金
浙江省哲学社会科学规划课题“全媒体时代审美经验变迁研究”(16NDJC050YB)
国家社会科学基金重点项目“提高我国文化软实力的中国道路研究”(14AZD040)
关键词
文化生产
市场化
文化资本
审美建构
Cultural Production, Market, Construction of the Aesthetic, Cultural Capital