摘要
民国时期书籍装帧界是由书籍装帧者以及文人、学者、艺术家组成的设计群;他们在弘扬民族文化的基础上,参照外来文化,寻求中国传统哲学美学思想在时代的承续。民国时期书籍装帧典雅、朴实、大方的艺术特质,建构了中国风格之经典,形成民国时期书籍装帧的整体特质。民国时期,中外文化艺术历史的融合和积淀、时代审美的趋同以及艺术思潮在时间点的合拍,最为重要的是,这些条件的同时到场,形成中外文化在"通理"下的交流和融合。
During the period of the republic of China book design is bounded by the book binding and group of writers, scholars and artists of design; They carry forward the national culture, on the basis of reference to foreign culture, to seek the Chinese traditional philosophy and aesthetics thought in the bear of The Times. During the period of the republic of China the art of book design elegant, simple, generous qualities, construct the Chinese style of the classic, formed during the pedod of the republic of China book overall qualities. During the period of the republic of China, the fusion of Chinese and foreign culture and art history and accumulation, times of aesthetic convergence and tune art trend in time, most importantly, these conditions present at the same time, the formation of the Chinese and foreign cultural exchanges and integration under the "general manager".
作者
陈蕗
CHEN Lu(Shandang University Of Arts, Jinan 250300,Chin)
关键词
基石
书籍设计
装帧思想
cornerstone
books design
binding thought