摘要
文章的研究范围设定为1920年-1945年日治下的台湾妇女服饰中的旗袍。通过文献分析与实物分析,对《凝望的时代——日治时期写真馆的影像追寻》一书中的日治时期写真馆的影像照片与辅仁大学中华服饰文化中心馆藏的1920年-1945年实物旗袍进行交互研究,再以当时出版的人物访谈与回忆录进行比对与验证,用以了解当时日治政府统治下变化缤纷的女性服饰中的旗袍,并以此来探讨当时旗袍于穿著者的内心所感,同时从文化涵义角度区别旗袍与当时其他服饰的不同之处。
The research range of this study set in 1920 to 1945, the reign of the Taiwan Residents women's clothing, cheongsam, through literature analysis and physical analysis of the image of "In sight, Tracing the Photography Studio Images of the Japanese Period in Taiwan" of books in the Japanese Period of photo gallery of images and Fu Jen Catholic University in China apparel culture center in 1920 to 1945 cheongsams kind interact research and to publish when figures interviews and memoirs by comparison and verification. In order to understand at that time, the treatment under the rule of changes in riotous profusion of women's clothing in cheongsam, and in order to explore the cheongsam was to wear the heart of the author feel, to from cultural connotation difference cheongsam and then the other clothing differences.
作者
黄梓桐
HUANG Zi-tong(Minzu university of China Art school ,Beijing 100081 ,China)
关键词
日治时期
台湾地区
妇女服饰
旗袍
Japanese period
Taiwan
women's clothing
cheongsam