一位“陌生”老人的来信--论《左心房漩涡》的抒情话语

Letters from a‘Strange'Old Man: On the Lyrical Discourse of Vortex in the Left Atrium

作为一个艺术整体的《左心房漩涡》在2013年前的大陆均被"肢解"到各种王鼎钧散文选集中,近来,当它以整体的面貌被推至大陆读者眼前时,又被王鼎钧"四部回忆录"的强光所"遮蔽"。这种"肢解"和"遮蔽"缩小了《左心房漩涡》的美学格局,减损了其文体创新和语言审美价值。将其作为一个艺术整体,从"抒情话语"的角度切入,着重分析其蕴含的话语领域、话语角色和话语方式,有利于深刻认识和客观评价《左心房漩涡》的艺术成就。

Vortex in the Left Atrium, in its artistic entirety, had been dismembered in China's Mainland prior to 2013 into various collections of essays by Wang Ding-jun, and, recently, when it was presented as a whole to the mainland readers it has been hidden by the strong light of his four memoirs. Such dismembering and hiding have narrowed the aesthetic structure of Vortex in the Left Atrium, reducing its creative and aesthetic values in style and language. An analysis of the discourse realm contained therein, of discourse role and discourse methods, by cutting in from the angle of‘lyrical discourse’with the work as an artistic whole, will enable a profound recognition and realistic appraisal of the artistic achievement of Vortex in the Left Atrium.