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略论《聊斋志异》的自传性

Brief Discussion on A0utobiography of Strange Stories from a Chinese Studio
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摘要 文学作品都有不同程度的自传性,只有从主客观相结合的角度解读,才能更好地领会作品的真谛。《聊斋志异》具有明显的自传性。蒲松龄常常通过"异史氏曰",或通过作品人物之口,直接表露自己的思想观念。更多的情况是在作品的人物形象与情节中融入作家的主体意识。《聊斋志异》中最具自传性的人物形象是科考中的落第书生、社会生活中的告状复仇者和爱情作品中的男主人公。 Literary compositions have different degrees of autobiography. Only from the combination of subjective and objective angle we can understand the true meaning of compositions much better. Strange Tales from Make-Do Studio's autobiography is obvious. Pu Songling often through the words as "Yishishi Com- ments" or the mouths from the roles in the stories to express his own mental construct. More prevalent situation is that the characters and plot include writer's subject awareness. This can be confirmed by the most obvious example like the characters who failed in the imperial examination,sue to government or a hero in a love story in Strange Tales from Make-Do Studio. The most autobi- ographical composition names "Ye Sheng".
作者 林海清 林骅 LIN Hai-qing LIN Hua(College of International Education&Exchange,Tianjin Normal University 300074,China Faculty of Arts,Tianjin Normal University 300387,China)
出处 《蒲松龄研究》 2016年第3期83-88,共6页 Study on Pu Songling
关键词 蒲松龄 聊斋志异 自传性 Pu songling Strange Tales from Make-Do Studio Autobiographical
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参考文献3

  • 1朱一玄.《聊斋志异》资料汇编[M].郑州:中州古籍出版社,1986.
  • 2蒲松龄.蒲松龄集[M].上海:上海古籍出版社,1986..
  • 3王运熙,顾易生.中国文学批评史[M].上海:上海古籍出版社,2006.

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