摘要
蒲松龄的聊斋俚曲代表了他在俗文学领域的杰出成就。改编自《聊斋志异·张鸿渐》这篇小说的俚曲有两种——《富贵神仙》和《磨难曲》,后者代表了蒲氏俚曲的最高成就。尽管二者取材于同一篇小说,在思想和艺术上却可以看出作家创作态度、世界观和创作手法的显著变化;这两种俚曲还具有聊斋俚曲的共同特质:"俗"与风趣幽默。
Liaozhai folk songs written by Pu Songling represent the highest achi- evement of him in popular literature. These two folk songs adapted from Zhang Hong-jian,such as The glorious gods and The Ordeal. There are distinct differe- nces in thinking and art,though they came from the same novel. We can unders-tand his changes in creative attitude,world outlook and writing skill. The two folk songs are all popular and humour.
作者
郑秀琴
ZHENG Xiu-qin(College of literature, Tianjin Norton University, Tianjin 300387, Chin)
出处
《蒲松龄研究》
2016年第3期250-258,共9页
Study on Pu Songling
基金
教育部人文社会科学研究项目"<聊斋志异>在清代的传播"(项目编号:12YJA751085)
关键词
张鸿渐
聊斋俚曲
富贵神仙
磨难曲
Zhang Hong-jian
Liaozhai folk songs
The glorious gods
The Ordeal