摘要
汉画像石的产生原因、制作过程和特色与题材表现在上世纪中国美术史研究中己经清楚表明有其独特的社会原因,毋须"削足"强纳入现代西方美术史"纪念碑性"的"靴履"中。同样,也无必要把中国美术史研究的背景资料改换为"图像学"的"图像志"名号,真要做"图像学"研究就应先做数据实验,不能以概念交换代替学术研究。
Academic community on the Chinese fine art history has unanimously agreed upon the reasons for the emergence,creation and subjects of Han stone reliefs. It is therefore unnecessary to attribute them to the monumentality in the western fine art history. Likewise,it is unnecessary to set iconology as the research backdrop of the Chinese fine art history,for iconological research in a true sense prioritizes data experiments.
出处
《东南大学学报(哲学社会科学版)》
CSSCI
北大核心
2016年第5期116-119,148,共4页
Journal of Southeast University(Philosophy and Social Science)