《南管诗意》的“坐”、“立”、“行”——兼谈传统南音的“移步不换形”

“Sitting”,“Standing”,“Walking” in “Poetic Flavor of Nanguan”——Discussing “Stepping but not Transforming” in Traditional Nanyin

《南管诗意》是台湾心心南管乐坊的新作,由当代著名南音表演艺术家王心心创作。该作品既体现出传统南音古朴细腻的韵味,又融入了当代舞台表演的形式,无论是曲词内容选择、音乐创作特点,还是舞台表现形式,都体现了她跨界拼贴创作的一种探索。文章结合笔者参与《南管诗意》表演、推广的过程体验,从《南管诗意》舞台表现的"坐"、"立"、"行"等方面分析其作品结构和表现形式,并对传统南音的当代传承发展与如何遵循"移步不换形"的原则进行探讨。

＂Poetic Flavor of Nanguan＂is a new work of Taiwan Xinxin Nanguan Troupe,created by the well-known contemporary Nanyin artist Wang Xinxin.This work not only reflects the pristine and exquisite charm of traditional Nanyin,but integrates into the contemporary form of stage performances.Whether the selection of lyric content,characteristics of music creation or the form of stage performances presents her exploration of cross-border collage creation.Based on the experience of participating and promoting＂Poetic Flavor of Nanguan＂,the author analyzes its structure and form of performance from the perspectives of stage performances,that is,＂sitting＂,＂standing＂and＂walking＂.Furthermore,how to inherit and develop the traditional Nanyin and how to follow the principle of＂stepping but not transforming＂are discussed accordingly.