摘要
运用生态符号学阐释自然文学中的文本世界,可以发现其可然性模仿的本质。自然与人之间的可然性关系,其本质是创设一个新概念预示自然与人之间的理想关系。自然摹写的象似性不是审美客体的呈现,而是物的可然性存在。在自然与人作为能指符号构成的关系体中,现实元素的减少和理想生态位的对应体现了自然文学创作的美学价值。
An exploration of the textual world in nature writing from the eco-semiotic perspective sheds light on the nature of mimesis of possibility. The relationship of possibility between nature and human beings aims at proposing a new concept to predict an ideal relationship between them. Iconicity of nature is not the presentation of the aesthetic object,but the possible existence of the object. In the relation unity formed by nature and human beings as signifiers respectively,the decreasing realistic elements and the idealistic correspondence of eco-niche embody the aesthetic value in this literary creation.
出处
《解放军外国语学院学报》
CSSCI
北大核心
2016年第5期129-136,160,共8页
Journal of PLA University of Foreign Languages
基金
国家社会科学基金项目"美国现代绘画诗中的中国物化文化改写审美研究"(11BWW012)
河南省教育厅人文社会科学项目"保罗.德.曼的修辞美学研究"(2015-ZD-147)
河南工业大学省属高校项目"保罗.德.曼语言现象学的认知论研究"(2014YWQN13)