当代器乐作品中的塔吉克风格

The Style of Tajik Contemporary Instrumental Music Work

新中国成立以来,众多作曲家用塔吉克民间音乐素材创作了大量脍炙人口的器乐作品。不同作曲家的创作方式各异,但均属西方作曲技术与本土音乐素材的融合。通过大量的实践探索,在调式音阶、节奏节拍、和声织体等诸要素上形成了较为一致的风格表达方式,并被越来越多的作曲者认同与借鉴。从原生环境的"自在风格"到人为的"创作风格"会使风格衰减,但同时也伴随着风格的创新与发展,也是民间音乐迈入广阔舞台获得更多受众的必然。

Since the founding of New China, many composers have created a lot of popular instrumental music with the Tajik folk music materials. Although composers have different creation methods, works they created are all a mixture of the western compositional techniques and the local music materials. Through much practice and exploration, they have formed a more common expression way of style in mode scale, rhythm, beat, harmonic texture and etc. This way also has been accepted and referenced by more and more composers. From the natural ＂free style＂ to the artificial ＂creation style,＂ the style may be weakened, but at the same time it also goes forward with innovation and development in style. It is an inevitable result for the folk music to walk on the broad stage and to be accepted by people.