摘要
2015年11月上旬,国际著名戏剧理论家马文·卡尔森教授应上海戏剧学院邀请前来讲学,正在上海戏剧学院访学的李言实、鲁小艳对他进行了采访,卡尔森教授主要谈了近50年来西方戏剧总体发展趋势及现状。他认为,近些年西方戏剧以呈现"真实"为主要表现方式,包括真实的身体,真实的人物,真实的场景,真实的记录。当这些"真实"被放置进剧场的框架,真实与虚构的界限就变得模糊。后现代戏剧力在使观众分不清真实与虚构。
In early November, 2015, the internationally renowned theatre theorist Marvin Carlson was invited to give lectures in the Shanghai Theatre Academy. Li Yanshi and Lu Xiaoyan, visiting STA at that time, interviewed him. Professor Carlson talked about the general trend and the current situation of western theatres over the past fifty years. According to Professor Carlson, the major tendency of western theatre in recent years is to present ＂the real＂, including real body, real people, real site, and real documents. When these real things are framed into theatre, the boundary between the real and the fictional is blurred. Postmodern theatre aims to make the audience unable to distinguish the real from the fictional.
出处
《戏剧艺术》
CSSCI
北大核心
2016年第5期54-61,共8页
Theatre Arts
关键词
西方戏剧
真实戏剧
戏剧框架
western theatre
the theatre of the real
theatre frame
