摘要
新中国成立初期,作为民族文化遗产的戏曲的发展已不合乎新时代、新生活的发展目标和新中国政治与文化建设的现实需要。党和人民政府从新的国家政权建构的总体设计出发,领导了影响深远的以改人、改制和改戏为主要内容的旧戏改造工作,不仅使许多有影响的传统戏曲剧目重新焕发光彩,并创作了一批深受群众喜爱的新编历史剧和现代戏,而且还充分挖掘了戏曲的宣传和教育功能,为确立新的社会意识形态提供了助益。
In the early of new China,opera,as a national cultural heritage,its development had not accorded with the development goals of new era and new life and the need of reality of new China's political and cultural construction.From the start of the overall design of new state power construction the party and the people's government led profoundly-influenced traditional opera reconstruction with the main content of changing people,system and opera,which not only made many influential traditional operas radiate again,but also created large numbers of new-writend historic operas and modern operas loved by the masses,fully exerted opera's propaganda and education functions and provided the support for setting up new social ideology.
出处
《当代中国史研究》
CSSCI
北大核心
2016年第4期77-88,共12页
Contemporary China History Studies
基金
河南省高等学校哲学社会科学基础研究重大项目《新中国成立初期的社会建设问题研究》(教社科2015852)
河南省宣传思想文化战线“四个一批”人才项目《中国共产党创新社会治理的历史经验研究(1949~1956)》(豫宣通201613)的阶段性成果
关键词
新中国成立初期
旧戏改造
意识形态
戏曲
in the early of new China
traditional opera reconstruction
ideology
opera