论后女性主义视域下的莫言短篇小说

Analyzing Mo Yan's Short Stories from Perspective of Post-feminism

莫言的作品以别具一格的笔风塑造了一系列女性形象,他睿智深刻地洞察了女性生活的困境,真实地再现了她们的苦与乐。以莫言的两部短篇小说集《白狗秋千架》和《与大师约会》为研究对象,从后女性主义的视角,探讨莫言短篇小说里的女性角色及女性主体的构建、传统女性的刻板印象、微妙的两性关系等,从中窥见当代中国女性最真实的人生体验。

Mo Yan,using the unique writing style of his,describes a series of female images in many of his works and sagaciously and profoundly probes into the dilemmas of women＇ s life to have truly reproduced their pleasures and pains. This paper takes Mo Yan＇s two short story collection White Dog and The Swing and Meeting the Masters as the research objects,mainly explores the female characters in Mo Yan＇ s short stories from the perspective of post-feminism： the construction of female principal,the stereotypes of traditional women,and the subtle gender relationships. So that readers can get a glimpse of the real female living experience in contemporary China.