从“效李白体四十七首”看李梦阳对李白的接受

Li Mengyang's Receptiveness to Li Bai as Seen from His“Forty-Seven Poems in Imitation of Li Bai”

"李白体"主要是指李白那些叙写成仙、饮酒、赠别、爱情之类的诗作,以古体为主,语言手法有较鲜明的特征。明代"前七子"领袖李梦阳创作有"效李白体四十七首",是他自觉学习李白五古诗的结果。经过对此四十七首仿作及其与李白诗的比较分析,发现李梦阳效法李白诗主要表现在题材与语言方面,既非清人所谓"游戏"之作,也非艺术风格与精神实质上的深度继承。"效李白体四十七首"创作建立在李梦阳对李白的推崇之上,其产生原因与背景则具有文学史意义。

'Li Bai style ' refers to classical poems written by Li Bai,often featuring immortality,drinking,farewell and love with distinctive linguistic styles. Li Mengyang,as the leader of the 'First Seven Talents'of the Ming Dynasty,wrote 'forty-seven poems in imitation of Li Bai',a result of his conscious receptiveness to his Tang predecessor. A comparative analysis of these forty-seven poems reveals that Li Mengyang mainly inherited Li Bai 's themes and linguistic features,which is neither fun-making nor fully absorbing the artistic style and spiritual essence of Li Bai. On the one hand,Li Mengyang's writing these poems stems from his strong admiration of Li Bai; yet on the other hand,his doing so reflects a peculiar historical background,of considerable significance in literary history.