拉丁美洲电影的纪录片倾向
The Documentary Inclination of Latin American Films
摘要
在当代拉美电影的发展进程中,纪录片不仅占据了重要地位,许多虚构作品的原创性也来自纪录片风格。本文以战后意大利新现实主义的引入为开端,依照时代演进次序,考察了一组重要拉美剧情片的纪录片倾向。倘若说在20世纪50年代初期实验中,电影人仍旧信任镜头具备捕捉真实的能力,而在新电影时期,纪实手段在更多情况下提供了批判思考的路径,那么80年代以来,《伊拉塞玛》《中央车站》等代表性影片又提出了重新思考纪实与虚构之间互动关系的路径。
出处
《当代电影》
CSSCI
北大核心
2016年第10期116-119,共4页
Contemporary Cinema
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