延安文艺政策与现代长篇小说新格局的形成

Literature Art Policy of Yan'an and the New Pattern of Modern Novels

延安文艺座谈会召开后,文艺的独立属性发生转变,作家的地位也随之位移,解放区长篇小说创作因之出现新格局:在选题上紧密相联党所领导的现实事件,以党的既定方针政策为指针展现时代的新生活,体现出较强的意识形态色彩与现实功利性;语言上以适应读者为目的,以"民族化、大众化"语言为叙述语言,强化语言的功利目的;在人物描写上以阶级的视野审视人物,人性的展现被框进相对固定的模式中,人物描写出现了大量类型化倾向;在结构上以二元对立的思维模式结构小说,创作重心也由人性而位移到阶级斗争意识的表现上。而这一审美范式还促成了十七年时期长篇小说审美品格的形成。

After the convening of Yan＇an forum on art and literature,the independence of the literature and art was stripped,the writer＇s position declined and the full-length novels of liberated areas had a new pattern. On the topic,it is closely linked with the reality of the Chinese Communist Party＇s leadership and takes the CPC＇s policy as the guideline to show the new life of the times,which has a strong ideological flavor and realistic utility. In language,it is adapted to the readers on purpose. It strengthens the utilitarian purpose of language by using the language of ＂ nationalization and popularization＂ as the narrative language. In the description of the characters,it uses vision of class,so the display of human nature is framed in a relatively fixed pattern and the portraiture has a tendency of categorization. In structure,writers＇ creation focus transforms from people to matters. Even if the authors describe people,they are still people in the matters. Authors take the thinking mode of binary opposition to design novel,which is affected by increasingly strong sense of class struggle. The key point of the novels transform from humanity to expression of the consciousness of class struggle. This aesthetic paradigm contributes to the formation of aesthetic character of Seventeen-year-period full-length novels.