中国民间音乐调式色彩论

Color of Chinese Folk Music Mode Color

文章通过对欧洲音乐中的调式色彩和中国音乐中的宫调色彩进行研究,阐述调式色彩的相对性及其文化成因,得出结论:无论是在欧洲的大小调体系,还是在中国的五声调式体系中,调式所体现的色彩及感情特质都不是绝对的,由于受到人文地理视域下的地域性格、民族审美心理框架下的民族性格、不同历史时期下社会政治文化背景等多重因素的共同影响,具有相对的意义。

Through a study upon the mode color of European music and Gong - diao color in Chinese music, this paper expounds the relativity of mode color and its cultural cause and concludes that whatever mode system, the color and e- motion expressed in the mode is not absolute, but is mutually impacted by regional character, national personality, and social and political and cultural background in different historical periods.