摘要
唐代社会民众对于佛像的崇拜,导致对画佛像的吴道子崇拜。吴道子的画风被后世称为"吴带当风"。大唐文化的丰厚与开放,才是吴道子成长及成功的基础。至于"画圣"更是后人的敬意与崇拜,也是盛唐之后古代中国开始降滞的社会文化需要。
In Tang dynasty, people worshipped figures of Buddha and they also admired the painter Wu Daozi. Profundi- ty and openness of Tang culture is the base for the growth and success of Wu Daozi. And later Wu Daozi is respected as painting saint, which is also a social cultural needs in ancient China after the flourishing period in Tang dynasty.
出处
《艺术百家》
CSSCI
北大核心
2016年第4期126-132,共7页
Hundred Schools In Arts
关键词
中国美术史
吴道子
画圣
《历代名画记》
《唐朝名画录》
苏轼
Wu Daozi
Painting Saint
Famous Painting in Different Dynasties
Famous Painting List in Tang Dynasty
Sushi