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中国美术史上的吴道子崇拜

Wu Daozi Worship in Chinese Fine Arts History
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摘要 唐代社会民众对于佛像的崇拜,导致对画佛像的吴道子崇拜。吴道子的画风被后世称为"吴带当风"。大唐文化的丰厚与开放,才是吴道子成长及成功的基础。至于"画圣"更是后人的敬意与崇拜,也是盛唐之后古代中国开始降滞的社会文化需要。 In Tang dynasty, people worshipped figures of Buddha and they also admired the painter Wu Daozi. Profundi- ty and openness of Tang culture is the base for the growth and success of Wu Daozi. And later Wu Daozi is respected as painting saint, which is also a social cultural needs in ancient China after the flourishing period in Tang dynasty.
作者 赵农
出处 《艺术百家》 CSSCI 北大核心 2016年第4期126-132,共7页 Hundred Schools In Arts
关键词 中国美术史 吴道子 画圣 《历代名画记》 《唐朝名画录》 苏轼 Wu Daozi Painting Saint Famous Painting in Different Dynasties Famous Painting List in Tang Dynasty Sushi
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