中国传统佛教绘画视野下的丰子恺佛教题材绘画

Feng Zikai's Buddhist-Themed Painting in the Visual Threshold of Traditional Chinese Buddhist Painting

中国传统佛教绘画源远流长,却也经历不断演变之过程,并在不同的历史时期呈现出不同的特点。及至近现代,佛教绘画不仅有了新的特征,更有了新的形式和目的指向。就画家个体而言,丰子恺漫画已被广泛关注,然而对其佛教题材绘画作品的研究实可谓过于"孤寂"和片面。在中国传统佛教绘画视野下对其数量巨大的佛教题材绘画进行研究,既可全面了解其生平、成就,亦能明了其文化、道德和审美等诉求,更从一个特定的视角更好地理解居士艺术家在佛门风气陵夷的末世,在艺术导俗、培植平民之善念、弘扬正信佛教方面的努力和特殊价值。而从创作史的角度对丰子恺佛教题材绘画创作进行分类,并客观阐述、分析各类作品的创作过程、发表流布等,可呈现其基本状况和样貌,有益于更深入的探讨。

As regards to individual painter, Feng Zikai＇ s cartoon works are paid much attention to. However, there are few researches on his Buddhist - themed painting. From the perspectives of traditional Chinese Buddhist painting, we study his great amount of Buddhist - themed painting. This could not only help us to comprehensively know his life story and his achievement, but also to clearly understand his cultural, moral, aesthetic appeal, and further help us to better comprehend endeavor and special value of lay Buddhist artist do to guide and cultivate civilians＇ charities thought and publicize Buddhism. In addition, it is good to present the basic situation and look of his works to catego- rize his Feng Zikai ＇ s Buddhist - themed painting creation and to objectively interpret, analyze the creation course, publication and distribution from the perspective of creation history.