从陶冶之美到沉浸之恶——3D电影艺术法理考察

From the Aesthetic of Edification to the Evil of Immersion:Probing the Nomology of 3D Movie Art

3D电影是一种以感官沉浸效应为突出美学特征的艺术类型。这一美学特征的极度发展使3D电影走入误区,一方面是观众趋之若鹜的消费热情,另一方面是内容质量的低下。误区的背后隐藏着3D电影特殊的创作、传播、消费、监管行为不合法理的问题。3D电影艺术权利是集中式特权。同样,3D电影艺术义务也是集中式的。这意味着活动者承担着更重大的义务——不损害观众的身心健康、尊重他人的艺术权利和经济权利。任何一项义务的中止在法理上都构成违法行为。

3D movie is an art type based on sensory immersion which makes the development of 3D movies go into the wrong region ： one side is moviegoers＂ high passion of consumption, the other side is the poor quality of the content, problems of disagreement with nomology in creating, communicating, consuming, supervising hide behind the back of the wrong region. Art rights of 3D movies are central privilege, obligations are as also, which means participants shouldering more obligations such as not harming the health of moviegoers, respecting others＂ rights of art and economy. Suspending of any obligation will break the law of nomology.