谈钢琴演奏中踏板的运用及重要性——以舒曼《蝴蝶》为例

On the application and importance of pedal in piano performance ——Taking Schumann Papillons Op.2 as an example

通常学生为了快速学完整个作品以及背谱,常常容易忽略曲谱中的踏板标注或者不够重视这些踏板标注,往往是看见了标注就踩一脚,却没有想过脚的位置应该怎么放,踩下去的深浅度如何掌握,是依照什么来踩,节奏或者其他。甚至有些学生只顾着踩下去,而不及时的放,或者单纯为了让曲子的气势上更磅礴一些而胡乱的增加踏板,而有的就干脆用来掩饰弹奏技巧上的不足。因此掌握正确的踏板运用并且认识到踏板在曲谱中的重要性,是目前钢琴教学,以及钢琴演奏中需要迫切关注的问题。

Usually students in order to quickly complete a work and back,will be a big risk of ignoring the score of the pedal annotated or not enough attention to these pedals.Often saw mark and step on one foot,but there was no thought to the posi-tion of the feet should be how to put on the extent of how to master,in accordance with what is to trample,rhythm or other. Some students even to step down,and not in a timely manner.Or simply to make music on the momentum of increased more majestic and random pedal,while others simply used to hide the lack of playing skills.So the right pedal utilization and realize the pedal the importance in the song,is currently in piano teaching,and need urgent attention area in piano performance. Hands of kung fu is very important,of course,but in the long run,the first step to kung fu also want to get.Only when the hands of playing skills enough to deduce the meaning of the piano melody,first step also can enrich the melody of piano per-formance,the piano music works can be called is a complete works.