摘要
民族性是民族文化在世界文化中立足的根基。本文通过对孙悟空动画角色形象的比较、分析,揭示中国动画在发展过程中受到西方强势经济文化的影响所造成的向西方学习的演变过程。文章从文化内涵的三个层面,以动画设计的民族性表现角度比较中国、美国、日本三国动画的异同,分析各国在动画设计制作领域中所表现出来的文化因素,并据此探索中国动画民族性体现的着眼点和方法。
National character is the foundation of national culture in the world culture. Through the comparison and analysis of cartoon characters the Monkey King's development in Chinese animation, the paper illustrates the development and evolution of Chinese animation influenced by strong western economic and culture in learning from the west. Focusing on national view of the animation design, the paper analysises the similarities and difference of animation between the United States, Japan and China from the three aspects of cultural connotation. The paper analysises the influence of power culture in the field of animation design and manufacture, and concludes the methods of embodying the national characters of China animation.
作者
杜静芬
DU Jing - fen(College of Special Education, Zhengzhou Institute of Technology, Zhengzhou 450044 , Chin)
出处
《中州大学学报》
2016年第4期92-95,共4页
Journal of Zhongzhou University
关键词
动画角色
文化转移
民族性特征
动画设计
animation character
cultural transfer
national character
animation design