摘要
湘西是少数民族聚集地,民族民间文化艺术元素丰富。民间艺术曾经是农业经济时代的优秀文化,与当地的物产资源、精神文化紧密相关。在文化创意背景下对农业经济时代的优秀文化进行活态保护及传承,对激活当地物产资源的可持续利用有一定的战略意义。怀化市会同县民间艺术家杨国大的竹木雕刻是农业经济时代民间优秀文化的代表,是当地文化资源、物产资源的视觉固化。文章在阐述杨国大竹木雕刻作品造型特征的基础上,提出了在文化创意背景下竹木雕刻活态传承与保护的策略。
Western Hunan is a gathering place for ethnic minorities and is rich in inethnic folk culture and art elements. Folk art is the excellent forms developed from the traditional agricultural society, which are closely linked to regional natural resources and spiritual culture. Carrying out the living protection and inheritance of ethnic and folk arts under a culturally creative context is of certain strategic significance for stimulating the sustainable utilization of local resources. The bamboo sculpture produced by the folk artist, Mr. Yang Guoda, from Huitong County of Huaihua City, is the representative of the excellent folk culture arising from the agriculture economy, and also the visualized items of local culture and natural resources. The paper expounded the modeling characteristics of bamboo sculpture by Yang Guoda, and came up with the strategy to inherit and protect the bamboo sculpture under the cultural and creative context.
作者
李柏山
张应军
Li Boshan Zhang Yingjun(Art Institute of Design, Huaihua University, Huaihua 418000, Hunan, China)
出处
《世界竹藤通讯》
2016年第5期46-48,共3页
World Bamboo and Rattan
基金
教育部人文社科基金资助项目"武陵山片区民间竹编文化传承与工艺创新研究"(编号:15YJA760017)
湖南省重点研发计划资助项目"湘西民间竹编文化传承与产业开发创新研究"(编号:2016SK2085)