民族文学的审美生发路径——以景颇族的《目瑙斋瓦》为例

Ways and Means of Aesthetic Development for Ethnic Literature——Taking Munaozhaiwa by Jinghpo People as an Example

民族文学的生态性与审美性相生互长、耦合并进,使得民族文学的审美生发遵循生态美学超循环的整生路线。景颇族史诗《目瑙斋瓦》记载了天地人神鬼自然万物的起源及演化,是景颇民族文学艺术、宗教祭祀、民俗及历史变迁的活态呈现,其依生的生境、环境与所形成的艺术意境对对生与共生的格局形态体现了求真、求善、求益、求宜等的生态审美观。生态、审美、艺术的对生与共生,则构筑了《目瑙斋瓦》生态文本的典范。

The mutual ecology and aesthetics of the ethnic literature push the aesthetic development of ethnic literature to follow the ways and means of the hypercycle from ecological aesthetics. The epic Munauzaiwa by Jingpo people is the dynamic display of the ethnic literary arts, religious sacrifice, ethic customs and historical changes with the records of the beginning and evolution of the world. The habitat, environment and art surroundings show the ecological aesthetics of virtues for the pattern of opposition and symbiosis and the ecological ,aesthetic and artistic opposition and symbiosis are the model of the ecological text for Munauzaiwa.