摘要
追溯现代主义设计的历史渊源,并分析数字化装饰的演变过程,阐述在用户界面设计中真实的设计所具有的特征。随着对数字化设计的了解逐渐成熟,设计师不再特意模仿物理世界的材质和表征,而是充分利用数字媒体特征,重视功能和内容的设计,抑制过度装饰。
It analyzes the influence of Modernism in user interface design. It traces back the historical origin of Moder-nism and analyzes the evolution of the digital decoration. Finally, it expounds the characteristics of the real design in the design of the user interface. As the understanding of digital design is gradually mature, the designer no longer deliberately mimic the physical world of materials and characterization, but makes the full use of digital media features, takes attention to the design of functions and content, inhibit excessive decoration.
作者
杨旺功
YANG Wanggong(School of Art and Design, Beijing Institute of Graphic Communication, Beijing 102600 , China)
出处
《北京印刷学院学报》
2016年第5期43-45,共3页
Journal of Beijing Institute of Graphic Communication
基金
北京印刷学院校级社科一般项目"基于增强现实技术的博物馆互动体验系统的设计与实现"(20190116002/036)成果之一
北京印刷学院教改一般项目"国家级实验教学示范中心实践教学管理的探索"(22150116007/024)成果之一
关键词
现代主义
扁平化
数字化设计
用户界面
真实设计
Modernism
flat design
digitalization design
user interface
authentic design
